My Mom has a great talent: she can recreate anything in the kitchen after tasting it once. I wrote about her ability to deconstruct & reconstruct recipes in a prior post.
I do not share this culinary talent, however I have a similar ability with jewelry. I will see something beautiful at the accessory counter at Nordstrom and can (usually) figure out how to recreate it at home. Even when shiny things are on deep discount, I think to myself I can make that for sooooo much less...
Case in point: I have seen variations of cup chain bracelets all over the place. Here are some that I made in my studio after studying the ones at Bloomingdale's:
I made six of these in various color combinations and wore several at once on our recent vacation. With the button closures staggered it creates an interesting look--stacked bracelets are so hot right now.
The purpose of this post is two-fold; to show you new finished work and to blow my own horn. In late July I will be teaching a workshop in which I teach this technique at Artside Studio in Fullerton. Carol & Steffi of Artside have created a wonderful gallery, studio and workshop space and I'm sure they would appreciate it if you like them on Facebook. I am terribly excited about the opportunity to teach at Artside, and I am grateful to Steffi for taking this gorgeous photo of my work.
If you are in the Orange County area and would like to take this class, you can get more information on the Artside website page for the workshop.
Art is fun!
Thursday, July 4, 2013
Thursday, June 13, 2013
Gatsby-esque
The Gruffalo and I are at the age when the adult children of friends are starting to get married. We recently attended a lovely wedding in Portland, Oregon for our friends' daughter.
The dress that I wore to the ceremony and the reception was short and somewhat flapperish. I spent some time before we traveled out of state to make jewelry to go with the dress.
Here are the two necklaces and earrings that I made:
The 'pearls' are actually glass. They are knotted on a length of cord. On the jewelry form for this photograph I doubled the pearl strand. For the party, I wore it full length. The choker is a separate piece. I also made a bracelet that looks like the choker, but without the dangles.
Here is a closer shot:
The round elements are actually beaded beads. They are made up of several bead sizes & shapes stitched together to form an element that dimensional and identical on both sides. The components that make up the beaded beads are two-hole (twin) beads, 4 mm crystal bicones and seed beads.
I enjoy the whole roaring twenties, Great Gatsby-like look. It is fun to take elements of a period style and incorporate them into modern-day clothing. I would never dress head to toe in flapper style (unless I was going to a costume party), but this jewelry, worn with a short, drop-waist dress, made me feel very elegant.
Despite my love of the art and style of this period, I have not (and will not) see the new film adaptation of Gatsby. Sometimes a favorite novel should be left in the realm of literature. (Major exception: the film version of To Kill a Mockingbird.) And I do love Fitzgerald's best-known novel in spite of the controversy over his writing methods.
Oh, and congratulations to the newly-weds. We had a lovely time and were so happy to share your big day with you. This wedding, I must say, was the first time that I have seen bridesmaid dresses that would actually work in a non-wedding setting.
The dress that I wore to the ceremony and the reception was short and somewhat flapperish. I spent some time before we traveled out of state to make jewelry to go with the dress.
Here are the two necklaces and earrings that I made:
The 'pearls' are actually glass. They are knotted on a length of cord. On the jewelry form for this photograph I doubled the pearl strand. For the party, I wore it full length. The choker is a separate piece. I also made a bracelet that looks like the choker, but without the dangles.
Here is a closer shot:
The round elements are actually beaded beads. They are made up of several bead sizes & shapes stitched together to form an element that dimensional and identical on both sides. The components that make up the beaded beads are two-hole (twin) beads, 4 mm crystal bicones and seed beads.
I enjoy the whole roaring twenties, Great Gatsby-like look. It is fun to take elements of a period style and incorporate them into modern-day clothing. I would never dress head to toe in flapper style (unless I was going to a costume party), but this jewelry, worn with a short, drop-waist dress, made me feel very elegant.
Despite my love of the art and style of this period, I have not (and will not) see the new film adaptation of Gatsby. Sometimes a favorite novel should be left in the realm of literature. (Major exception: the film version of To Kill a Mockingbird.) And I do love Fitzgerald's best-known novel in spite of the controversy over his writing methods.
Oh, and congratulations to the newly-weds. We had a lovely time and were so happy to share your big day with you. This wedding, I must say, was the first time that I have seen bridesmaid dresses that would actually work in a non-wedding setting.
Friday, June 7, 2013
Resin-ate
When I stopped working at my day job, I was certain that I would be able to write a new blog post at least once a week. As it turns out, I have been having way too much fun doing not much of anything to keep up with that sort of schedule.
But doing nothing gets old fast for me, so I started re-arranging one of the bedrooms (the one we call The Girls' Room) into a studio. I have a way to go yet, because there are remnants from previous occupants (The Girls) that need to be stored, but I do have a good work space carved out. The last couple of weeks have been filled with jewelry making and offline writing. Time to share some of the former...
Last year I took a class from guest instructor Lisa Pavelka at my local bead shop. Lisa is an amazing artist who works in many different media--the class that I took was all about using resin to make jewelry. Lisa has developed a one-step resin that cures in a few minutes under UV light. It is a wonderful product. It spreads out evenly over flat surfaces and domes naturally as it spreads. It has high surface tension so, unless you flood the surface with resin, it will not overflow the edge of the underlying substrate. Lisa showed us how to layer thin coats of resin, curing under UV light between each coat, to create dimensional pieces.
Because Lisa and her team are entirely awesome, they provided Magic Glos (TM) along with round acrylic blanks, tiny metal components, little flowers, glitter, rub-on foil, clear transfers and other items to make our pieces. Under her guidance, this is the very first resin piece that I ever made:
This piece contains several layers of resin on top of a round acrylic blank. There are small metal pieces (a key, a flower shape and clock cogs) as well as glitter, a dried flower and black transfers incorporated into the resin. The two silver wheels on the sides are partially embedded in resin to provide a way to attach a chain or other necklace. I am not sure what sort of jewelry piece I will make using this. Perhaps I will keep it as is to remind me of how I started out with this medium. Using resin is a fun process and, because each layer cures in 3 - 5 minutes, you can create a finished piece very quickly.
(Note: As further evidence of Lisa's awesomeness, all of the students received a package from her a week or so after the class. This package contained even more items from Lisa's line to encourage us to experiment with our newly acquired resin-working skills. I sent a thank you note at the time but wanted to give a public shout-out to Ms Pavelka for her ability to merge artistic talent with graceful, generous customer service.)
Bead weaving with a single needle is still my first love when it comes to jewelry making, but I enjoy having lots of other techniques at my disposal. Resin has been my medium of choice for the past couple of weeks.
My birthstone is ruby, so I decided to make myself a ruby necklace & earrings. I started with three pieces of silver filigree from my hoard. I mixed up a tiny bit of resin with red & silver glitter. This was the first layer on my homemade gems. After curing the glitter layer, I added a few layers of resin to create domed jewels. Once everything was cured I glued red crystals onto the necklace filigree and added the findings to make this necklace:
This doming acts as a lens so that items added in previous layers are magnified. It is really cool to watch a piece develop.
These are the earrings that go with the necklace:
This is a ring that I made out of clear and red crystals. No resin in this piece. The crystals are on wire-wrapped head pins and attached to a ring form with jump rings:
There is a lot of movement to the ring, which I like. It is also free-form as opposed to the necklace & earrings, which are more structured. When I design pieces to go together, I like to have some aspects that are not completely matchy-matchy across all of the pieces.
When this process stops resin-ating (sorry!) with me, I will move on to another technique. For the foreseeable future, though, I'm having a blast dropping little tiny shiny things into Magic Glos (TM).
But doing nothing gets old fast for me, so I started re-arranging one of the bedrooms (the one we call The Girls' Room) into a studio. I have a way to go yet, because there are remnants from previous occupants (The Girls) that need to be stored, but I do have a good work space carved out. The last couple of weeks have been filled with jewelry making and offline writing. Time to share some of the former...
Last year I took a class from guest instructor Lisa Pavelka at my local bead shop. Lisa is an amazing artist who works in many different media--the class that I took was all about using resin to make jewelry. Lisa has developed a one-step resin that cures in a few minutes under UV light. It is a wonderful product. It spreads out evenly over flat surfaces and domes naturally as it spreads. It has high surface tension so, unless you flood the surface with resin, it will not overflow the edge of the underlying substrate. Lisa showed us how to layer thin coats of resin, curing under UV light between each coat, to create dimensional pieces.
Because Lisa and her team are entirely awesome, they provided Magic Glos (TM) along with round acrylic blanks, tiny metal components, little flowers, glitter, rub-on foil, clear transfers and other items to make our pieces. Under her guidance, this is the very first resin piece that I ever made:
This piece contains several layers of resin on top of a round acrylic blank. There are small metal pieces (a key, a flower shape and clock cogs) as well as glitter, a dried flower and black transfers incorporated into the resin. The two silver wheels on the sides are partially embedded in resin to provide a way to attach a chain or other necklace. I am not sure what sort of jewelry piece I will make using this. Perhaps I will keep it as is to remind me of how I started out with this medium. Using resin is a fun process and, because each layer cures in 3 - 5 minutes, you can create a finished piece very quickly.
(Note: As further evidence of Lisa's awesomeness, all of the students received a package from her a week or so after the class. This package contained even more items from Lisa's line to encourage us to experiment with our newly acquired resin-working skills. I sent a thank you note at the time but wanted to give a public shout-out to Ms Pavelka for her ability to merge artistic talent with graceful, generous customer service.)
Bead weaving with a single needle is still my first love when it comes to jewelry making, but I enjoy having lots of other techniques at my disposal. Resin has been my medium of choice for the past couple of weeks.
My birthstone is ruby, so I decided to make myself a ruby necklace & earrings. I started with three pieces of silver filigree from my hoard. I mixed up a tiny bit of resin with red & silver glitter. This was the first layer on my homemade gems. After curing the glitter layer, I added a few layers of resin to create domed jewels. Once everything was cured I glued red crystals onto the necklace filigree and added the findings to make this necklace:
Here is a side view which shows how the beautifully this resin domes across the top:
This doming acts as a lens so that items added in previous layers are magnified. It is really cool to watch a piece develop.
These are the earrings that go with the necklace:
This is a ring that I made out of clear and red crystals. No resin in this piece. The crystals are on wire-wrapped head pins and attached to a ring form with jump rings:
There is a lot of movement to the ring, which I like. It is also free-form as opposed to the necklace & earrings, which are more structured. When I design pieces to go together, I like to have some aspects that are not completely matchy-matchy across all of the pieces.
When this process stops resin-ating (sorry!) with me, I will move on to another technique. For the foreseeable future, though, I'm having a blast dropping little tiny shiny things into Magic Glos (TM).
Sunday, May 12, 2013
Happy Mother's Day, Mom!
It is the morning
of Mother’s Day 2013. We have a dozen people coming over for brunch, and that
tomato and cucumber salad is not going to chop itself, but I have to write this
post.
The Gruffalo and I have six adult children between us, yet no grandchildren.
This is a fact that I bring up now and then to Kage, BeanBeanMoreBean, Smallest
of All, The Mogul, Gandhi and Matisyahu, especially after I have spent time
around a baby or a toddler. I am terribly subtle about it—a quick text to all
six that reads only “GRANDCHILDREN!!!” is an example of my restraint in this
area.
Despite my gentle
teasing, though, I do not want anyone
(my kids or anyone else’s kids) to have children before they are completely
ready to do so. Parenthood is unrelenting hard work, and it never, ever ends.
Even when you are totally prepared, you are never, ever ready. To paraphrase
Debra Winger’s character in 'Terms of Endearment': As hard as you think it’s
going to be, you end up wishing it was that easy.
With that in
mind, I have to salute the Moms in my life before I start preparing brunch.
First of all,
here’s to women who become mothers without raising a child. Both of my sisters,
Barf and KK, have become mothers to adult children (and, thence, grandmothers--grrrrr!) through two completely
different sets of circumstances, and they have done so with admirable grace and
total commitment. Spending time with an infant is delicious, and women who step
into motherhood do not get to begin their demanding role with this joyful
interval. And, as I mentioned above, parenthood never, ever ends. Just because
a child has become an adult does not mean that the challenges of mothering that
person come to an end. With adulthood there are new and unthinkably complex issues
for grown children and their parents to navigate. I raise a mimosa to women who
willingly step into mothering adult children who they had no part in raising.
And here’s to
my Mom. She is, as anyone in the family will tell you, magical. When my father
was intermittently unemployed during my childhood, she somehow managed always to
have money set aside for the necessities and the silly little luxuries that are
vital to teenagers, like the perfect shade of light blue nail polish to match a
home-made middle-school graduation dress. Even more importantly, she always had
the time to make the dress and the time to drive around to find said blue nail
polish. (Note to anyone younger than 40: in the 1970’s, you could have any
color of polish you wanted as long as it was red or pink.)
Besides her
money- and time-management skills, Mom has an uncanny ear for languages. When
my sisters and I learned Spanish, Mom was always able to completely understand
what we were saying. She could only answer in English, but our plans to speak
Spanish in order to keep secrets from her were for naught. The same phenomenon occurred
when my sisters and I resorted to Double-Dutch, a made up language that
thwarted all of our middle school teachers but was no match for Mom.
In the
kitchen, Mom is a wizard. If she tastes a dish she is able to deconstruct it
and re-create it with eerie precision. She reads cook books like I read novels
and she is always coming up with something new, while retaining all of the old
favorites in her repertoire. She is also able to improvise brilliantly. Two
words: Cheesy potatoes. Or, going back several years, a treat that prompted a
neighbor to call one Saturday morning to ask “How do you make that #@$%&
melted cheese on toast?”
My sisters
and I were the recipients of all of this love, attention and cheese, as were
all of our friends. Mom must have fed a regiment of kids when we were
growing up, again doing so on an impossibly tight budget. She baked non-stop for weeks prior to Christmas and Easter, then distributed
boxes of cookies to neighbors and friends and the priests at our parish. One of her
springtime specialties, butterfly cookies, always caused a small, decidedly
un-Christian scuffle in the rectory when she dropped them off.
And, although
this is an incredibly long and complicated story that I will save for another
blog post, Mom is also one of those women who stepped into parenting an adult
child. The adult child is her own first-born. This puts her
in yet another category, women who give birth to a baby knowing that the child
will be raised by another woman. These are certainly mothers who deserve
recognition today, too; women who make motherhood possible for someone else.
This entry
has gone on longer than I planned and the brunch prep must begin now, but not
before I raise a Pimm’s cup to Mom, a terrific mother and one of the bravest
women I know.
Feliz Dia de
las Madres, Mamacita, Itheguy lutheguve yahthegoo!
Tuesday, May 7, 2013
Lunchtime wrap
I ended my employment about a month ago, but I can't really say that I'm retired. More like redirected. The Gruffalo and I have plenty to keep us busy. The main difference now is that, once the laundry and dishes and shopping and cooking and general straightening up and pet tasks are all done, I have time for things that seemed like a luxury before, like writing and beading.
This post is a follow up to a previous post. I wrote 'It's a Wrap' about disassembling a bracelet for my yoga teacher Tiny Dancer and remaking it into something that she could wear.
Tiny Dancer and I met for lunch a couple of weeks ago. It was a lovely day and we sat outside for two reasons: to enjoy the spring weather and to accommodate Tiny Dancer's dog, a soft-coated wheaten terrier who was recovering from a procedure at the vet. The pup was too pathetic to leave alone at home so Tiny Dancer brought her along to lunch. She wondered whether I minded this. Note to anyone who might be meeting me for lunch: bringing pets and/or babies is never a problem for me. In fact, I will mind it very much if the opportunity exists and you do not bring pets and/or babies to lunch with you.
In addition to the turquoise and silver bead wrap bracelet that I made from taking apart her old bracelet, Tiny Dancer asked me to make a new wrap bracelet from silver beads on black leather cord. When we met for lunch both pieces were left unfinished so that I could wrap them on her wrist and make sure that the length was just right. After she tried on both bracelets I finished them up by clipping off the fuzzies and knotting the leather cord at the end to make a loop closure.
Here is the re imagined bracelet made from Tiny Dancer's old, clunky, too-big bracelet:
This post is a follow up to a previous post. I wrote 'It's a Wrap' about disassembling a bracelet for my yoga teacher Tiny Dancer and remaking it into something that she could wear.
Tiny Dancer and I met for lunch a couple of weeks ago. It was a lovely day and we sat outside for two reasons: to enjoy the spring weather and to accommodate Tiny Dancer's dog, a soft-coated wheaten terrier who was recovering from a procedure at the vet. The pup was too pathetic to leave alone at home so Tiny Dancer brought her along to lunch. She wondered whether I minded this. Note to anyone who might be meeting me for lunch: bringing pets and/or babies is never a problem for me. In fact, I will mind it very much if the opportunity exists and you do not bring pets and/or babies to lunch with you.
In addition to the turquoise and silver bead wrap bracelet that I made from taking apart her old bracelet, Tiny Dancer asked me to make a new wrap bracelet from silver beads on black leather cord. When we met for lunch both pieces were left unfinished so that I could wrap them on her wrist and make sure that the length was just right. After she tried on both bracelets I finished them up by clipping off the fuzzies and knotting the leather cord at the end to make a loop closure.
Here is the re imagined bracelet made from Tiny Dancer's old, clunky, too-big bracelet:
So considerate of her to wear turquoise to match the jewelry!
And this is the black and silver wrap bracelet that Tiny Dancer commissioned:
Please note the doggie's noggin in the upper left of this shot.
This bracelet uses small textured silvertone beads and slightly larger filigree-look silvertone beads stitched to black leather cord. The closure (which is not visible in this shot) is a rectangular silvertone button with a swirly pattern.
It is always satisfying to create something new, even more so when you have the pleasure of knowing that the person you made it for is really happy with it. Practicing yoga with Tiny Dancer has given me a great deal of enjoyment and it's nice to return the favor.
Time for a few Sun Salutations, slightly modified due to one or more cats leaping onto my back when I'm doing cobra position...
Saturday, April 27, 2013
Isla de las Mujeres
One of the many bead supply websites that I haunt is A Grain of Sand. If you sign up for their Bead Hoard Curiosities Club, you get a box full of beading components every month. Several of the items are vintage, all of them are unusually beautiful, and one item in each box is indicated as the design component for that month. Beaders are encouraged to use the designated component in a design and to submit a photo of their design to the Facebook page for AGOS.
In the April box, the design component was this item:
Here is a photo of the finished piece on a jewelry display form:
In the April box, the design component was this item:
It is about 2" X 2 1/2" and around 1/4" thick. It looks like someone took a skillet full of yellow plastic flowers and heated it up until the petals all melted together. It is quite light weight, so I decided to make it into a necklace focal.
I glued the contest component to a piece of batik fabric. This is a stellar suggestion from my bead embroidery teacher, Melaine Doerman; by using a printed piece of fabric for bead embroidery, you avoid potential blank canvas paralysis.
Here is the yellow component glued to a batik square backed with Lacey's Stiff Stuff, a flexible material that is often used for bead embroidery:
You can also see the beginnings of the beaded bezel that goes all the way around the yellow contest component. In the past I have only bezeled round focals, so creating a beaded border around a square(ish) piece was the biggest challenge. To help with the design I used bugle beads around the perimeter of the yellow piece.
Once the yellow component was completely encased in bugle and seed beads, I cut it away from the square of fabric and started to embellish it. My go-to design inspiration is always sea life, so I imagined that the yellow contest component was a piece of jewelry lost in a shipwreck. I added branching coral fringe and irregular bead embroidery around the edges
of the piece to make it look like it had been underwater for a while.
Once all of the decorative touches had been added, I stitched the top of the focal piece to a copper-colored chain that was also included in the April box of beading goodies. I then stitched more embellishment on the chain itself, as if the lovely, invasive sea life had begun to twine around the edges of the yellow piece and on to the chain itself.
I used turquoise and moss colored seed beads in addition to lemon yellow seed beads and copper bugle beads for this piece.
Here is a side view which shows some of the surrounding bezel detail:
The first place that I ever snorkeled was off Isla de las Mujeres in the Yucatan peninsula, so this piece is named after that island. I am going to enter the online contest on A Grain of Sand's Facebook page this afternoon. Wish me luck.
May 7, 2013 ETA: I did not win. If you go to the Facebook page (linked above) you will see the entry that did win. On to the next challenge...I entered Isla de las Mujeres in a contest at my local bead shop. It is an in-person contest so my indifferent photography skills will not count against me. (Note to Smallest of All: lessons in lighting would be a nice Mother's Day gift!) Results for this new contest are not announced until July...I will update again and let you know if the judges liked my entry.
Wednesday, April 10, 2013
It's a wrap...
...in more ways than one.
I have been studying yoga on and off since my college years. For the past five years, I have been studying with Tiny Dancer, a teacher who leads an interesting and varied practice at our synagogue.
Tiny Dancer knows that I make jewelry. After class one day she asked me to take a look at a bracelet that she had owned for several years but could not wear. The bracelet was made up of five strands of turquoise and silver beads with a clasp closure and it was far too big for Tiny Dancer's wrist. At first we talked about shortening the existing bracelet, which would have been possible but not much of a challenge. After looking at the lovely turquoise beads, I asked Tiny Dancer if I could take the bracelet apart and use the beads to make something entirely new. She gave me permission to cut apart the strands to make a wrap bracelet.
(Sorry to say that I did not think to take a photo of the 'before' stage. My only excuse is that I was just itching to unbuild that thing as soon as I got home.)
I have made wrap bracelets in the past using small round beads stitched to leather or cotton cord. Tiny Dancer's original bracelet had both small and very large beads. I wire-wrapped the larger beads and added them along the sides of the wrap bracelet. It almost gives a charm bracelet look to the piece:
I have been studying yoga on and off since my college years. For the past five years, I have been studying with Tiny Dancer, a teacher who leads an interesting and varied practice at our synagogue.
Tiny Dancer knows that I make jewelry. After class one day she asked me to take a look at a bracelet that she had owned for several years but could not wear. The bracelet was made up of five strands of turquoise and silver beads with a clasp closure and it was far too big for Tiny Dancer's wrist. At first we talked about shortening the existing bracelet, which would have been possible but not much of a challenge. After looking at the lovely turquoise beads, I asked Tiny Dancer if I could take the bracelet apart and use the beads to make something entirely new. She gave me permission to cut apart the strands to make a wrap bracelet.
(Sorry to say that I did not think to take a photo of the 'before' stage. My only excuse is that I was just itching to unbuild that thing as soon as I got home.)
I have made wrap bracelets in the past using small round beads stitched to leather or cotton cord. Tiny Dancer's original bracelet had both small and very large beads. I wire-wrapped the larger beads and added them along the sides of the wrap bracelet. It almost gives a charm bracelet look to the piece:
I now need to measure the bracelet on Tiny Dancer's wrist to make sure that it fits perfectly, so the fuzzies and the needle are still visible in this work-in-progress view. The silvertone rectangle near the left is a button that acts as the closure. The beaded cord wraps several times around the wrist and there is a loop in the cord at the other end. The bead slips through the loop.
After the bracelet was at the stage shown above, I used some of the remaining beads to make a pair of earrings:
I played around with including a length of the brown leather cord in the earring design but even small pieces were too dramatic to play nicely with the other elements.
And there were even enough remaining beads to make a necklace:
The center of the necklace is make of knotted leather cord that is woven through wire eye pins. It somewhat mimics the feel of the wrap bracelet without being matchy-matchy.
I need to cut the chain and add a closure once I see how long Tiny Dancer wants to wear the necklace. I saved the clasp from the bracelet, which means that I was able to re-use everything from the original, unwearable item except the wire that strung it all together.
We will meet for lunch next week Tiny Dancer and I, so that she can see what her old bracelet has become. Here's hoping she likes all three pieces. Since she is expecting only a wrap bracelet the additional earrings and necklace should be a nice surprise.
The other thing that is a wrap: my day job. After seven years at the same job, I have resigned. Like most things in life this decision involved a complex web of inter-related issues that I won't delve into here. Suffice it to say that I will have a lot more free time for beading and blogging.
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