Isla de las Mujeres

One of the many bead supply websites that I haunt is A Grain of Sand. If you sign up for their Bead Hoard Curiosities Club, you get a box full of beading components every month. Several of the items are vintage, all of them are unusually beautiful, and one item in each box is indicated as the design component for that month. Beaders are encouraged to use the designated component in a design and to submit a photo of their design to the Facebook page for AGOS.

In the April box, the design component was this item:

 

It is about 2" X 2 1/2" and around 1/4" thick. It looks like someone took a skillet full of yellow plastic flowers and heated it up until the petals all melted together. It is quite light weight, so I decided to make it into a necklace focal.

 

I glued the contest component to a piece of batik fabric. This is a stellar suggestion from my bead embroidery teacher, Melaine Doerman; by using a printed piece of fabric for bead embroidery, you avoid potential blank canvas paralysis.

 

Here is the yellow component glued to a batik square backed with Lacey's Stiff Stuff, a flexible material that is often used for bead embroidery:

 

 

You can also see the beginnings of the beaded bezel that goes all the way around the yellow contest component. In the past I have only bezeled round focals, so creating a beaded border around a square(ish) piece was the biggest challenge. To help with the design I used bugle beads around the perimeter of the yellow piece.

 

Once the yellow component was completely encased in bugle and seed beads, I cut it away from the square of fabric and started to embellish it. My go-to design inspiration is always sea life, so I imagined that the yellow contest component was a piece of jewelry lost in a shipwreck. I added branching coral fringe and irregular bead embroidery around the edges

of the piece to make it look like it had been underwater for a while.

Once all of the decorative touches had been added, I stitched the top of the focal piece to a copper-colored chain that was also included in the April box of beading goodies. I then stitched more embellishment on the chain itself, as if the lovely, invasive sea life had begun to twine around the edges of the yellow piece and on to the chain itself.

Here is a photo of the finished piece on a jewelry display form:

 

 

I used turquoise and  moss colored seed beads in addition to lemon yellow seed beads and copper bugle beads for this piece.

 

Here is a side view which shows some of the surrounding bezel detail:

 

 

The first place that I ever snorkeled was off Isla de las Mujeres in the Yucatan peninsula, so this piece is named after that island. I am going to enter the online contest on A Grain of Sand's Facebook page this afternoon. Wish me luck.

 

 

May 7, 2013 ETA: I did not win. If you go to the Facebook page (linked above) you will see the entry that did win. On to the next challenge...I entered Isla de las Mujeres in a contest at my local bead shop. It is an in-person contest so my indifferent photography skills will not count against me. (Note to Smallest of All: lessons in lighting would be a nice Mother's Day gift!) Results for this new contest are not announced until July...I will update again and let you know if the judges liked my entry.



 







Corona del Mar

Corona del Mar means ‘crown of the sea’. To my family it also means lovely memories; Mom would often pack a picnic lunch and take my sisters and me to the beach during the summer months.  Actually, the phrase ‘picnic lunch’ barely does Mom justice. My mother was (still is) a dynamic combination of Betty Crocker and Donna Reed. Beach lunches usually consisted of fried chicken, potato salad and cookies, everything home-made and all eaten from a plate using a knife & fork. The inevitable slight sprinkling of sand that would stick to our food is probably the reason that I only like extra-crispy fried chicken to this day.

By the way, I have noticed that there appears to be a tradition in the blogging community to give nicknames to real people that one writes about. In my world, every family member, friend and pet has multiple nicknames so the chore will be to choose which nickname to use for each person. That is, except for my youngest sister, Barf being just too good to pass up.

There is a main beach at Corona del Mar, and there is a sheltered lagoon behind a jetty. Depending on the tide there is a small, shifting lagoon-side spit of exposed sand. People who climb over the jetty are not always certain of having a dry place to lay out their beach towels, but the peaceful beauty of this little corner of the ocean is worth the hike.

These two pieces are named after the beaches of Corona del Mar. I am very much in love with ocean blues & greens. I often combine these tones in my designs. While stitching these two companion pieces I imagined tide pool life viewed through the lens of undulating sea water.

The collar necklace is called Big Corona (what the locals call the main beach):

And the cuff bracelet is called Little Corona (the moniker for the lagoon):

Little Corona is finished & ready to wear. Big Corona is not completely beaded. Once the beading on the front is complete I will cover the reverse side of the piece with Ultrasuede ®, stitch a picot border around the entire edge and add a chain or other closure. If you look closely at Big Corona you will see that the beading is done over a piece of printed fabric, in this case a swirly batik. The printed fabric is attached to an underlying stiff white stabilizing fabric.

This is a good opportunity to write about one of my favorite teachers, the late Melanie Doerman. I took a bead embroidery class from Melanie at Brea Bead Works several years ago, and it was a revelation. The value of the class went far beyond learning mere technique. Melanie also taught a way of looking at things in a slightly different way that allowed me to loosen up and trust my own creativity. For example, the idea of attaching a printed fabric to the stabilizer is hers, and it is a brilliant way to avoid the possible paralysis created by facing a blank canvas.

Melanie called herself The Magpie, and this was the name of her website. The site has been taken down since her passing earlier this year but you can take a look at her last published book at Amazon.

Since I tend to fall in love with one color combination to the exclusion of all others, it was a relief to hear Melanie admit to this same sort of obsession during class. At that time she was enamored of bronze seed beads and was using them to cover a large jar to create an elaborately embellished container. She told us that the project was taking more beads and more time than she had imagined, but that she never got tired of those little bronze beads.

Magpie, thank you so much for your generous creative spirit. I hope you finished that project.

Picot:  In clothing design, a picot refers to a loop, usually made of thread or ribbon. It can be either decorative or functional. In beading, a picot is a stitch usually used for edging. The stitch uses three beads combined in such a way that the middle bead pops up above the beads that surround it.

Batik: Cloth that is traditionally made using a wax-resist method to create designs. Motifs usually represent the natural world, especially flowers & plants.

Bead Here Now

I grew up in a Southern California town that is so close to Disneyland that we could watch their nightly summer fireworks from our driveway. The Bowers Museum in Santa Ana was a frequent weekend destination for my parents, my sisters and me. My most vivid memory is of the various beaded items in the Native American displays. I used to have dreams about being able to go inside the display cases to examine the beaded adornments more closely.

When I was about 9 years old, I saved up for a kit that included a wood & metal loom, needles, thread, seed beads and instructions for beaded patterns. The instructions were beyond confusing. The only thread included with the kit was white, and it very quickly got soiled & frayed from my constant pulling out & re-stitching rows. The headband that I (finally) completed was a truly horrible thing, even for a first attempt and I set the loom aside, convinced that I had no skill for this particular type of craft.

My Mom is an accomplished seamstress with great creative instincts, and she taught me to sew and embroider after I abandoned my bead-weaving loom. I continued to sew for myself and, later, for my kids. Sewing, especially hand-sewing, was a wonderful creative outlet for many years.

Then, five years ago, my husband The Gruffalo became gravely ill. I spent more time in the hospital than at home. Reading was impossible, and even the most tiny sewing project was too bulky to tote back and forth to the hospital. A few weeks before my husband got sick I had taken a bead weaving class at my local bead shop. Bead weaving projects are eminently portable: a few tubes of seed beads, needle & thread take up very little space. The pattern I had learned was just distracting enough to take my mind off the beeping and blaring of hospital equipment. I could set aside the project at a moment’s notice to follow my husband into radiology for yet another test. In those tense weeks spent watching over my husband I re-discovered my childhood love of beaded things.

My husband got better, slowly, and came home to finish recovering. I took more classes, learned more stitches and acquired (ahem) a few more beads. Scratch even a casual beader and you will find a magpie with an insatiable hunger for little shiny trinkets. In fact, one of my favorite teachers (more about her in later posts) called herself The Magpie online. The Gruffalo, now fully recovered, arches an eyebrow when I tell him that I have to go to the bead shop and says “Yes. I was getting worried that you might run out.”

My repertoire of skills now includes wire wrapping and metal clay techniques, but I keep coming back to bead weaving. It allows me to produce pieces that I can gift or sell while still delighting the 9-year-old girl inside of me who wanted nothing more than to get closer to the intricate, intoxicating beadwork on display at The Bowers Museum.

It has only been very recently that I have taken the stitches and techniques I have learned and started to design my own pieces. Sometimes I will start with a published pattern and make modifications based on my own taste, other times I will start with a pile of beads and no idea what the finished piece will be.

The purpose of this blog is to write about beading and to post photos of my projects, including work in progress. I’m happy to address any comments about my work as long as the criticism provided is constructive. Tips, techniques, resources, pitfalls and personal stories will all be fair game for blog posts and comments. I hope you enjoy and can join the conversation.